Artista · Fechas de Gira y Boletos
Underscores
Fechas próximas
Teloneros: North America: Niteharts Festival, Knock2, DJ Snake, RL Grime, Hamdi, Nitepunk, Control Freak, Charli xcx · Europe & UK: Umru
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- Glasgow, United KingdomTV Studio SWG3Ver detalles
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- Bristol, United KingdomCrane - The Prospect BuildingVer detalles
- London, United KingdomElectric BrixtonVer detalles
Fechas que Wanderistan sigue para Underscores, a partir de listados de venta de entradas y recintos — próximas: 6, pasadas: 5. Underscores puede tocar otras fechas que aún no aparecen aquí; consulta la página oficial de la gira para ver el calendario completo.
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Boletos para Underscores
Encuentra boletos y opciones de reventa para próximos espectáculos de Underscores a través de nuestros socios.
Es posible que recibamos una comisión por las reservas, sin coste adicional para ti.
Espectáculos anteriores
5 fechas anteriores
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- Detroit, United StatesMajestic Theatre-MIVer detalles
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Acerca de Underscores
Underscores is the recording and production project of April Harper Grey, an American musician born April 21, 2000, in San Francisco, California.
Underscores is the recording and production project of April Harper Grey, an American musician born April 21, 2000, in San Francisco, California. She began releasing music on SoundCloud at the age of 13 and developed a genre-blending approach that draws on hyperpop, pop-punk, dubstep, indie pop, rock and Midwest emo, often within a single song.
Her debut album Fishmonger (2021) drew critical acclaim and was named among The Atlantic's best albums of that year. She followed it with the concept album Wallsocket (2023), which explores themes of American suburbia through a loosely narrative structure, and the 2026 album U, her third full-length release.
Grey opened for 100 Gecs on their 2021 tour and performed at Lollapalooza in 2022, and was later announced as an opening act on Charli XCX's 2026 tour. Her father, Ryan Downe, was an audio engineer who worked with Elton John's record label. Grey is a transgender woman, and critics have described her work as reflecting a generational disregard for conventional genre boundaries, moving fluidly between electronic production and guitar-driven songwriting.