
The Met Orchestra / Yannick Nézet-Séguin (1)
Philharmonie de Parismar 1 set 2026 · 23:00 – 01:00
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The Met Orchestra / Yannick Nézet-Séguin (1) is a listed event at Philharmonie de Paris in Paris, sourced from the city's official open-data agenda. Check the link for the latest schedule and ticket details.
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The Met Orchestra makes a rare Paris appearance under its music director Yannick Nézet-Séguin for a programme devoted entirely to Richard Strauss. The evening pairs the symphonic poem *Ein Heldenleben* with orchestral suites from *Der Rosenkavalier* and the final scene of *Salome*, featuring soprano Elza van den Heever.
Nézet-Séguin has led the Met Orchestra since 2018 and returns each season to conduct this ensemble, with which he shares a deep operatic affinity. The closing scene of *Salome* — where the princess kisses the severed lips of Jokanaan — is described as a remarkable "death of love," a tone poem with voice that showcases Strauss's lyrical genius.
The concert takes place at the Philharmonie de Paris, a venue known for its exceptional acoustics and modern design. This is the first of two Met Orchestra concerts in the city, opening the season with a powerful statement.
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- The venue is located at 221 Avenue Jean Jaurès, Paris 19e, accessible via Porte de Pantin metro.
- Reservations are required; tickets are available only through advance booking.
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Who is performing?
The Met Orchestra is conducted by Yannick Nézet-Séguin, with soprano Elza van den Heever.
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Philharmonie de Paris
Philharmonie de Paris
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Yannick Nézet-Séguin
Yannick Nézet-Séguin, CC is a Canadian conductor and pianist.Altro
He is the music director of the Orchestre Métropolitain (Montréal), the Metropolitan Opera, and the Philadelphia Orchestra. He was the principal conductor of the Rotterdam Philharmonic Orchestra from 2008 to 2018.
Elza van den Heever
Elza van den Heever is a South African soprano in opera and concert, who began her career as a mezzo-soprano.Altro
She has appeared in leading roles at major houses and concert halls of the world.
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