Artysta · Terminy trasy i bilety
Underscores
Nadchodzące terminy
Support: North America: Niteharts Festival, Knock2, DJ Snake, RL Grime, Hamdi, Nitepunk, Control Freak, Charli xcx · Europe & UK: Umru
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- Glasgow, United KingdomTV Studio SWG3Zobacz szczegóły
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- Bristol, United KingdomCrane - The Prospect BuildingZobacz szczegóły
- London, United KingdomElectric BrixtonZobacz szczegóły
Terminy śledzone przez Wanderistan dla Underscores, z list sprzedawców biletów i miejsc koncertowych — nadchodzące: 6, minione: 5. Underscores może grać także w terminach, których tu jeszcze nie ma — pełny harmonogram trasy znajdziesz na oficjalnej stronie trasy.
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Bilety na Underscores
Znajdź bilety i opcje odsprzedaży na nadchodzące koncerty Underscores u naszych partnerów.
Możemy otrzymać prowizję od rezerwacji bez dodatkowych kosztów dla Ciebie.
Minione koncerty
5 minionych terminów
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- Detroit, United StatesMajestic Theatre-MIZobacz szczegóły
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O Underscores
Underscores is the recording and production project of April Harper Grey, an American musician born April 21, 2000, in San Francisco, California.
Underscores is the recording and production project of April Harper Grey, an American musician born April 21, 2000, in San Francisco, California. She began releasing music on SoundCloud at the age of 13 and developed a genre-blending approach that draws on hyperpop, pop-punk, dubstep, indie pop, rock and Midwest emo, often within a single song.
Her debut album Fishmonger (2021) drew critical acclaim and was named among The Atlantic's best albums of that year. She followed it with the concept album Wallsocket (2023), which explores themes of American suburbia through a loosely narrative structure, and the 2026 album U, her third full-length release.
Grey opened for 100 Gecs on their 2021 tour and performed at Lollapalooza in 2022, and was later announced as an opening act on Charli XCX's 2026 tour. Her father, Ryan Downe, was an audio engineer who worked with Elton John's record label. Grey is a transgender woman, and critics have described her work as reflecting a generational disregard for conventional genre boundaries, moving fluidly between electronic production and guitar-driven songwriting.