
فنان · مواعيد الجولة والتذاكر
Underscores
المواعيد القادمة
الفرق الافتتاحية: North America: Niteharts Festival, Knock2, DJ Snake, RL Grime, Hamdi, Nitepunk, Control Freak, Charli xcx · Europe & UK: Umru
- San Diego, United StatesSnapdragon Stadiumالفنانون المشاركون: Niteharts Festival, Knock2, DJ Snake, RL Grimeعرض التفاصيل
- San Diego, United StatesViejas Arena at Aztec Bowl San Diego State Universityالفنانون المشاركون: Charli xcxعرض التفاصيل
- Glasgow, United KingdomTV Studio SWG3عرض التفاصيل
- عرض التفاصيل
- Bristol, United KingdomCrane - The Prospect Buildingعرض التفاصيل
- London, United KingdomElectric Brixtonعرض التفاصيل
المواعيد التي يتتبعها Wanderistan لـ Underscores من قوائم التذاكر والأماكن — القادمة: 6، السابقة: 5. قد يقيم Underscores حفلات أخرى غير مدرجة هنا بعد، لذا راجع صفحة الجولة الرسمية للاطلاع على الجدول الكامل.
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العروض السابقة
5 مواعيد سابقة
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- Detroit, United StatesMajestic Theatre-MIعرض التفاصيل
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نبذة عن Underscores
Underscores is the recording and production project of April Harper Grey, an American musician born April 21, 2000, in San Francisco, California.
Underscores is the recording and production project of April Harper Grey, an American musician born April 21, 2000, in San Francisco, California. She began releasing music on SoundCloud at the age of 13 and developed a genre-blending approach that draws on hyperpop, pop-punk, dubstep, indie pop, rock and Midwest emo, often within a single song.
Her debut album Fishmonger (2021) drew critical acclaim and was named among The Atlantic's best albums of that year. She followed it with the concept album Wallsocket (2023), which explores themes of American suburbia through a loosely narrative structure, and the 2026 album U, her third full-length release.
Grey opened for 100 Gecs on their 2021 tour and performed at Lollapalooza in 2022, and was later announced as an opening act on Charli XCX's 2026 tour. Her father, Ryan Downe, was an audio engineer who worked with Elton John's record label. Grey is a transgender woman, and critics have described her work as reflecting a generational disregard for conventional genre boundaries, moving fluidly between electronic production and guitar-driven songwriting.